Jan Dirksz Both

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 Jan Dirksz Both Italian Landscape with Draughtsman oil painting artist
 Click Image to Enlarge
     Italian Landscape with Draughtsman
     Jan Dirksz Both1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Italian_Landscape_with_Draughtsman
1650 Rijksmuseum, Amsterdam

 Jan Dirksz Both Still Life with Fruit oil painting artist
 Click Image to Enlarge
     Still Life with Fruit
     Jan Dirksz Both2.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Still_Life_with_Fruit
1652 Nardoni Galerie, Prague

 Jan Dirksz Both Visitatie oil painting artist
 Click Image to Enlarge
     Visitatie
     new16/Jan Dirksz Both-922763.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Visitatie
MK169 ca.1445-50 Panel 80x56cm Prado Madrid

 Jan Dirksz Both lovers oil painting artist
 Click Image to Enlarge
     lovers
     new20/Jan Dirksz Both-587493.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  lovers
mk1860,watercolor on paper,sangram singh collection,city palace,jaipur,lndia

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     Jan_Dirksz_Both
    Dutch 1610-1652 Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter. From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.

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