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The Ex-Voto of 1662
Philippe de Champaigne1.jpg
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The_Ex-Voto_of_1662
1662
Musee du Louvre, Paris
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The Miracles of the Penitant St.Mary
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The_Miracles_of_the_Penitant_St.Mary
1656
Musee du Louvre, Paris
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The Aldermen of the City of Paris
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The_Aldermen_of_the_City_of_Paris
1648
Musee du Louvre, Paris
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Portrait of a Man _5
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Portrait_of_a_Man__5
1650
Musee du Louvre, Paris
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Portrait of Robert Arnauld d'Andilly
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Portrait_of_Robert_Arnauld_d'Andilly
Musee du Louvre, Paris
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Philippe_de_Champaigne
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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