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Annunciation with Saint Emidius
Carlo Crivelli1.jpg
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Annunciation_with_Saint_Emidius
1486
National Gallery, London
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Lamentation over the Dead Christ
Carlo Crivelli2.jpg
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Lamentation_over_the_Dead_Christ
1485
Museum of Fine Arts, Boston
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Madonna and Child Enthroned with a Donor
Carlo Crivelli3.jpg
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Madonna_and_Child_Enthroned_with_a_Donor
1470
National Gallery of Art, Washington DC
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St.James of Marche with Two Kneeling Donors
Carlo Crivelli4.jpg
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St.James_of_Marche_with_Two_Kneeling_Donors
Musee du Louvre, Paris
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St.Roch
Carlo Crivelli5.jpg
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St.Roch
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Carlo_Crivelli
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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