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Landscape with the Rape of Europa
Francesco Zuccarelli1.jpg
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Landscape_with_the_Rape_of_Europa
c1750
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Landscape with the Rape of Europa (nn03)
new8/Francesco Zuccarelli-448969.jpg
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Landscape_with_the_Rape_of_Europa_(nn03)
c 1750 Oil on canvas
131 x 168 cm
51 1/4 x 66 in Private collection
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Landscape with a Woman Leading a Cow
new3/Francesco Zuccarelli-996737.jpg
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Landscape_with_a_Woman_Leading_a_Cow
mk60
Oil on canvas
23 1/2x34 1/2"
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Francesco_Zuccarelli
Italian 1702-1788
1788). Italian painter and draughtsman, active in England.
Zuccarelli training began in Florence, where he engraved the frescoes by Andrea del Sarto in SS Annunziata. He then studied in Rome under Paolo Anesi and learnt figure drawing from Giovanni Maria Morandi (1622-1717), although in this he never acquired any great skill. His earliest recorded paintings were Mary Magdalene and St Jerome (both untraced), which he contributed to the exhibition of the feast of St Luke in Florence in 1729. He also painted portraits. Around 1730 he moved to Venice and began painting landscapes exclusively. His interest in this field may have led to his becoming acquainted with the Welsh landscape painter Richard Wilson in 1750-51. Wilson painted a lively portrait of him (1751; London, Tate) in exchange for one of Zuccarellis landscapes. Zuccarelli avoided both the topographical type of Venetian view developed by Canaletto and the stormier landscapes of Marco Ricci, adopting instead a decorative landscape style of idealized Italian countryside. His subject-matter was usually unspecific rather than recognizably historical, biblical or mythological. For example, in the early 1740s he executed six paintings purporting to be scenes from the story of Jacob, but the paintings themselves bear few references to it (e.g. Landscape with Two Seated Women Embracing, 1743; Windsor Castle, Berks, Royal Col.).
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