|
|
 |
| Click Image to Enlarge |
An Angel Awakens the Prophet Elijah
Juan Antonio Escalante1.jpg
|
|
|
|
|
An_Angel_Awakens_the_Prophet_Elijah
1667
Gemaldegalerie, Berlin
|
|
 |
| Click Image to Enlarge |
Immaculate Conception
new19/Juan Antonio Escalante-493664.jpg
|
|
|
|
|
Immaculate_Conception
1663 Oil on canvas
|
|
 |
| Click Image to Enlarge |
Attacke des Husarenregiments Nr
new25/Juan Antonio Escalante-435978.jpg
|
|
|
|
|
Attacke_des_Husarenregiments_Nr
oil on canvas
Dimensions 83,5 cm x 100 cm
cyf
|
|
 |
| Click Image to Enlarge |
Inmaculada Concepcion
new26/Juan Antonio Escalante-453785.jpg
|
|
|
|
|
Inmaculada_Concepcion
circa 1667(1667)
Medium oil on canvas
Dimensions 210 x 175 cm
cyf
|
|
|
| Prev Artist Next Artist
|
|
Juan_Antonio_Escalante
Spanish Baroque Era Painter, 1633-1670
Spanish painter. He was an outstanding figure in decorative Baroque art. When quite young he moved from Andalusia to Madrid, where he apparently worked with and was influenced by Francisco Rizi. His artistic development reveals an increasing admiration for Veronese, Tintoretto and Titian, although elements of the style of Alonso Cano persist. Among his first works is Andromeda and the Dragon (c. 1659; Madrid, Prado), whose mannerist elements derive from an engraving of the subject by Agostino Carracci. The two brilliant works St Catherine of Alexandria (Madrid, Las Maravillas) and Road to Calvary (Madrid, Real Acad. S Fernando), signed and dated 1660, are executed with an agile and self-assured technique, in colours that stem from Venetian painting. Like other Spanish painters of the period, he painted numerous versions of the Immaculate Conception (e.g. 1660, Colegio de Villafranca de los Barros; 1663, Budapest, Mus. F.A.; c. 1666, Benedictine monastery of Lumbier, Navarre), which are more Baroque in style and expression than those of Jose Antolenez and Mateo Cerezo. In these the faces, surrounded by luxuriant hair, is expressed an innocent candour that contrasts with the turbulent appearance of the cherubs. Also characteristic of his style are the versions of the Annunciation (1653; New York, Hisp. Soc. America Mus; B?ziers, Mus. B.-A.). He treated the theme of St Joseph with great nobility, as in the Dream of St Joseph (1666; New York, Chrysler Col.). His deep lyrical feelings pervade the various paintings of the Infant St John (Madrid, Prado).
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting |
|
