Johan Thorn Prikker

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 Johan Thorn Prikker The Bride oil painting artist
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     The Bride
     Johan Thorn Prikker1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Bride
1893 Rijksmuseum Kroller-Muller, Otterlo

 Johan Thorn Prikker Madonna among the Tulips (Before the Cross) (mk09) oil painting artist
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     Madonna among the Tulips (Before the Cross) (mk09)
     new6/Johan Thorn Prikker-645664.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Madonna_among_the_Tulips_(Before_the_Cross)_(mk09)
1893 Oil on canvas,146 x 86 cm Otterloo,Rijksmuseum Kroller-Muller

 Johan Thorn Prikker Madonna among the Tulips oil painting artist
 Click Image to Enlarge
     Madonna among the Tulips
     new9/Johan Thorn Prikker-777343.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Madonna_among_the_Tulips
mk87 1893 Oil on canvas 146x86cm Otterloo,Rijksmuseum Kroller Muller

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     Johan_Thorn_Prikker
    1868-1932 Dutch Johan Thorn Prikker Gallery Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.

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