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Anne Gardiner with her Eldest Son, Kirkman
Nathaniel Hone1.jpg
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Anne_Gardiner_with_her_Eldest_Son,_Kirkman
1776
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Kitty Fisher
new11/Nathaniel Hone-265449.jpg
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Kitty_Fisher
mk125
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Captain Thomas Baillie
new24/Nathaniel Hone-586686.jpg
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Captain_Thomas_Baillie
"Captain Thomas Baillie," oil on canvas, by the British painter Nathaniel Hone, the Elder. 914 mm x 747 mm. Courtesy of the British Museum, London.
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Nathaniel_Hone
1718-1784
British
Nathaniel Hone (24 April 1718 ?C 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768.
The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750-1752) studying in Italy.
As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait.[2][3]
He courted controversy in 1775 when his satirical picture "The Conjurer" was seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds (it also included a nude caricature of fellow Academician Angelica Kauffmann, later painted out by Hone), and was rejected by the Royal Academy. To show his reputation was undamaged, Hone organised a one-man retrospective in London ?C the first such solo exhibition of an artist??s work.
His great-grand-nephew shared the same name and was also a notable Irish painter, known as Nathaniel Hone the Younger (1831-1917).
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