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Corn Husking
Simon Hollosy1.jpg
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Corn_Husking
1855
Hungarian National Gallery
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Hollosy
new23/Simon Hollosy-485698.jpg
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Hollosy
Technique Oil on canvas
Dimensions 87 ?? 105 cm
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Autumn
new26/Simon Hollosy-353948.jpg
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Autumn
1899(1899)
Medium oil on canvas
cyf
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Carousing in the Tavern
new26/Simon Hollosy-845943.jpg
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Carousing_in_the_Tavern
1888(1888)
Medium oil on canvas
cyf
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In the Tavern
new26/Simon Hollosy-698634.jpg
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In_the_Tavern
1887(1887)
Medium oil on canvas
cyf
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Simon_Hollosy
1857-1918
Hungarian Simon Hollosy Gallery
Simon Hollosy (Romanian: Simion Corbu); (2 February 1857, Maramarossziget, now Sighetu Marmatiei - 8 May 1918, Tecso, now Tiachiv) was a Hungarian painter. He was considered one of the greatest Hungarian representatives of 19th century Naturalism and Realism.
Holl??sy came from an Armenian family who settled in Maramarossziget (present-day Sighetu Marmaţiei, Romania). He frequently worked abroad.
He criticized training at the Academy and founded a private school in 1886 where he gathered young talents around him who were interested in realistic protrayal. He opened the way to new styles by relying on his personality and by pointing out the merits of French pictures (Courbet) exhibited in Munich. He abandoned the academic style in order to follow new trends in French painting.
Encouraged by Istvan Reti and Janos Thorma, his pupils and friends, he spent the summer of 1896 in Nagyb??nya (present-day Baia Mare, Romania) with his school, which played an important role in Hungarian painting as the cradle of the Nagybanya school. He soon settled down in Nagybanya. With its style (sunny landscapes), his school determined Hungarian painting for decades. Leaving the Nagyb??nya colony in 1901, he spent the summers in Tecso with his students from 1902. During winters he was in Munich to run his school there.
He was not productive as an artist: he was in search of atmospheres and his productivity was confined to teaching. His large scale plan of "Rakoczi March" with a lot of figures got as far sketches because he kept on changing his mind. The landscapes painted in Tecso include "Landscape in T??cső", "Landscape with Stacks and Sunset with Stacks", where he applied elements of plein air and impressionism.
His self-portrait (1916) is one of his most harrowing pictures.
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