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Madonna and Child with Saints and Angels
Giulio Cesare Procaccini1.jpg
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Madonna_and_Child_with_Saints_and_Angels
Metropolitan Museum of Art, New York
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Incoronazione della Vergine
new24/Giulio Cesare Procaccini-939938.jpg
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Incoronazione_della_Vergine
Incoronazione della Vergine (Getty Museum). Italian, about 1604 - 1607. Oil on panel. 38 1/4 x 28 1/4 in. 83.PB.24
cjr
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St Sebastian Tended by Angels
new25/Giulio Cesare Procaccini-577669.jpg
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St_Sebastian_Tended_by_Angels
between 1610(1610) and 1612(1612)
Medium oil on wood
cyf
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Federico Borromeo
new25/Giulio Cesare Procaccini-363745.jpg
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Federico_Borromeo
oil on canvas, cm 68x55
Date 1610(1610)
cyf
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Matyrdom of St Rufina and St Seconda
new26/Giulio Cesare Procaccini-589764.jpg
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Matyrdom_of_St_Rufina_and_St_Seconda
circa 1625(1625)
Medium oil on canvas
cyf
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Giulio_Cesare_Procaccini
1574-1625 Italian Giulio Cesare Procaccini Gallery
Giulio Cesare Procaccini (1574-1625) was an Italian painter and sculptor of the early Baroque era in Milan.
Born in Bologna he was son of the Mannerist painter Ercole Procaccini the Elder and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti.
He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the Quadroni, large canvases celebrating Saint Charles Borromeo .
Among his many altarpieces are the Circumcision now in Galleria Estense, Modena (c.1616) and the Last Supper (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the Scourging of Christ.
He worked with Giovanni Battista Crespi (il Cerano) and Pier Francesco Mazzucchelli (il Morazzone) following the directions of Cardinal Federico Borromeo, patron of the arts and cousin of Charles Borromeo. He also painted small religious canvases for rich families, in Milan and in Genoa, where he saw the works of Rubens.
His style shows the influence of Bolognese Mannerism and Venetian colorism and marks the beginning of the Baroque.
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