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The Cranberry Harvest on the Island of Nantucket
Jonathan Eastman Johnson2.jpg
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The_Cranberry_Harvest_on_the_Island_of_Nantucket
1880
Timken Art Gallery, San Diego
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The Old Stagecoach
Jonathan Eastman Johnson1.jpg
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The_Old_Stagecoach
1871
Milwaukee Art Museum
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La famille Hatch
new4/Jonathan Eastman Johnson-699456.jpg
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La_famille_Hatch
mk75
1871
Huile sur toile:122x186.4cm
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Fiddling His Way
new25/Jonathan Eastman Johnson-744667.jpg
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Fiddling_His_Way
Oil on canvas - 24.35 x 36.25 in - 1866 - Scanned from Eastman Johnson: Painting America - fig 78 pg 149
cyf
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The Lord is my Shepard
new25/Jonathan Eastman Johnson-748469.jpg
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The_Lord_is_my_Shepard
Oil on wood -16.625 x 13.125 in - c 1863
cyf
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Jonathan_Eastman_Johnson
1824-1906
Jonathan Eastman Johnson Galleries
Eastman Johnson (July 29, 1824 - April 5, 1906) was an American painter, and Co-Founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. Best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people, he also painted portraits of prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th century Dutch masters whom he studied while living in The Hague, and he was even known as The American Rembrandt in his day.
Johnson's style is largely realistic in both subject matter and in execution. His original photorealistic charcoal sketches were not strongly influenced by period artists, but are informed more by his lithography training. Later works show influence by the 17th century Dutch and Flemish masters, and also by Jean François Millet. Echoes of Millet's The Gleaners can be seen in Johnson's The Cranberry Harvest, Island of Nantucket although the emotional tone of the work is far different.
His careful portrayal of individuals rather than stereotypes enhances the realism of his paintings. Ojibwe artist Carl Gawboy notes that the faces in the 1857 portraits of Ojibwe people by Johnson are recognizable in people in the Ojibwe community today. Some of his paintings such as Ojibwe Wigwam at Grand Portage display near photorealism long before the photorealism movement but in keeping with the American tradition of realism that can be seen in the works of Charles Willson Peale whose painting The Stairway Group is said to have fooled George Washington.
His careful attention to light sources contributes to the realism. Portraits Girl and Pets and The Boy Lincoln make use of single light sources in a manner that echoes the 17th Century Dutch Masters.
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