BEHAM, Hans Sebald

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 BEHAM, Hans Sebald The Prodigal Son Wasting His Patrimony oil painting artist
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     The Prodigal Son Wasting His Patrimony
     BEHAM, Hans Sebald1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Prodigal_Son_Wasting_His_Patrimony
1540 Engraving, 51 x 92 mm National Gallery of Art, Washington

 BEHAM, Hans Sebald Scenes from the Life of David j oil painting artist
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     Scenes from the Life of David j
     BEHAM, Hans Sebald2.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Scenes_from_the_Life_of_David_j
1534 Wood, 128 x 131 cm Mus??e du Louvre, Paris

 BEHAM, Hans Sebald The History of David (mk05) oil painting artist
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     The History of David (mk05)
     new5/BEHAM, Hans Sebald-484527.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_History_of_David_(mk05)
Wood 50 1/2 x 51 1/2''(128 x 131 cm)A painted table Acquired by Louis XIV from the heirs of Cardinal Mazarin in 1661

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     BEHAM,_Hans_Sebald
    German Northern Renaissance Engraver, 1500-1550 Hans Sebald Beham (1500 ?C 1550) was a German printmaker who did his best work as an engraver, and was also a designer of woodcuts and a painter and miniaturist. He is one of the most important of the "Little Masters", the group of German artists making old master prints in the generation after Durer. Beham is best known as a prolific printmaker, producing approximately 252 engravings, 18 etchings and 1500 woodcuts, including woodcut book illustrations. He worked extensively on tiny, highly detailed, engravings, many as small as postage stamps, placing him in the German printmaking school known as the "Little Masters" from the size of their prints. These works he produced and published himself, whilst his much larger woodcuts were mostly commissioned work. The engravings found a ready market among German bourgeois collectors, but were not much seen in Italy. He also made prints for use as playing cards, wallpaper, coats of arms, and designs for other artists, including many designs for stained or painted glass. He also illuminated two prayer books and painted a table top (now in the Louvre ) for Cardinal Albrecht, Archbishop of Mainz.

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