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Allegory ghyj
BORDONE, Paris1.jpg
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Allegory_ghyj
1558-60
Oil on canvas, 110 x 131 cm
The Hermitage, St. Petersburg
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Nude intp
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Nude_intp
Pencil and chalk on paper, 32 x 20 cm
Galleria degli Uffizi, Florence
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The Presentation of the Ring fdhfd
BORDONE, Paris3.jpg
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The_Presentation_of_the_Ring_fdhfd
1534
Oil on canvas, 370 x 301 cm
Gallerie dell'Accademia, Venice
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Venus and Mars with Cupid
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Venus_and_Mars_with_Cupid
1559-60
Oil on canvas, 118 x 130,5 cm
Galleria Doria-Pamphili, Rome
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The Venetian Lovers
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The_Venetian_Lovers
Oil on canvas, 95 x 80 cm
Pinacoteca di Brera, Milan
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BORDONE,_Paris
Italian High Renaissance Painter, 1500-1571
Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone.
From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery.
In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian.
Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.
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