CALRAET, Abraham van

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 CALRAET, Abraham van Still-life with Peaches and Grapes oil painting artist
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     Still-life with Peaches and Grapes
     CALRAET, Abraham van1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Still-life_with_Peaches_and_Grapes
c. 1680 Oil on canvas Mauritshuis, The Hague

 CALRAET, Abraham van A Horse and Cows in a Landscape oil painting artist
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     A Horse and Cows in a Landscape
     new16/CALRAET, Abraham van-857485.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  A_Horse_and_Cows_in_a_Landscape
Oil on panel, 28 x 40 cm

 CALRAET, Abraham van Artist Designing After Nature oil painting artist
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     Artist Designing After Nature
     new24/CALRAET, Abraham van-365595.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Artist_Designing_After_Nature
Date ca. 1651(1651) Medium Oil on cradled panel Dimensions 27.9 X 45.4 cm (10.98 X 17.87 in) cyf

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     CALRAET,_Abraham_van
    Dutch painter, Dordrecht school (b. 1642, Dordrecht, d. 1722, Dordrecht) Dutch painter. He was the eldest son of Pieter Jansz. van Calraet (c. 1620-81), a sculptor from Utrecht. According to Houbraken, Abraham was taught by the Dordrecht sculptors Aemilius and Samuel Huppe, although nothing is known of his activity as a sculptor. Houbraken also stated that Abraham learnt to paint figures and fruit and that his brother Barent van Calraet (1649-1737), who specialized at first in horse paintings but later imitated the Rhine landscapes of Herman Saftleven, was a pupil of Aelbert Cuyp (see CUYP, (3)). The known signed works by Barent confirm this. A painting of two horses in a stable, initialled APK (Rotterdam, Mus. Boymans-van Beuningen), indicates that Abraham, too, must have been well acquainted with Cuyp and provides the basis for identifying Abraham's painting style. A large number of landscapes with horses, paintings of livestock in stables and still-lifes, all initialled A.C. and formerly attributed to Aelbert Cuyp,

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