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Venus Playing the Harp (Allegory of Music) sg
LANFRANCO, Giovanni1.jpg
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Venus_Playing_the_Harp_(Allegory_of_Music)_sg
1630-34
Oil on canvas, 214 x 150 cm
Galleria Nazionale d'Arte Antica, Rome
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The Annunciation y
LANFRANCO, Giovanni2.jpg
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The_Annunciation_y
Oil on copper, 74 x 54,5 cm
The Hermitage, St. Petersburg
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Hagar in the Wilderness g
LANFRANCO, Giovanni3.jpg
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Hagar_in_the_Wilderness_g
Oil on canvas, 138 x 159 cm
Mus??e du Louvre, Paris
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Miracle of the Bread and Fish
LANFRANCO, Giovanni4.jpg
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Miracle_of_the_Bread_and_Fish
1620-23
Oil on canvas, 229 x 426 cm
National Gallery of Ireland, Dublin
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Norandino and Lucina Discovered by the Ogre sg
LANFRANCO, Giovanni5.jpg
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Norandino_and_Lucina_Discovered_by_the_Ogre_sg
c. 1624
Oil on canvas
Galleria Borghese, Rome
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LANFRANCO,_Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
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