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Still-Life ei57
MIGNON, Abraham1.jpg
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Still-Life_ei57
after 1672
Oil on canvas, 92 x 72,7 cm
Wallraf-Richartz Museum, Cologne
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Still-Life with Fruits sg
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Still-Life_with_Fruits_sg
1660s
Oil on wood, 40 x 32,5 cm
Staatliche Kunsthalle, Karlsruhe
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Fruit Still-Life with Squirrel and Goldfinch g
MIGNON, Abraham3.jpg
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Fruit_Still-Life_with_Squirrel_and_Goldfinch_g
Oil on canvas, 80,5 x 99,5 cm
Staatliche Museen, Kassel
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Still-Life with Fishes and Bird Nest sg
MIGNON, Abraham4.jpg
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Still-Life_with_Fishes_and_Bird_Nest_sg
c. 1670
Oil on canvas, 89 x 71,5 cm
Museum of Fine Arts, Budapest
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The Nature as a Symbol of Vanitas ag
MIGNON, Abraham5.jpg
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The_Nature_as_a_Symbol_of_Vanitas_ag
1665-79
Oil on canvas, 78,7 x 99 cm
Hessisches Landesmuseum, Darmstadt
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MIGNON,_Abraham
Dutch Baroque Era Painter, 1640-1679
Dutch painter, was born at Frankfurt. His father, a merchant, placed him under the still-life painter Jacob Marrel, by whom he was taken to the Netherlands about 1660. He then worked under Jan Davidszoon de Heem at Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts. Sibylle Merian (1647-1717), daughter of the engraver Matthew Merian, became his pupil and achieved distinction as a flower painter. He died at Utrecht. Mignon devoted himself almost exclusively to flowers, fruit, birds and other still-life, though at times he also attempted portraiture. His flower pieces are marked by careful finish and delicate handling. His favourite scheme was to introduce red or white roses in the centre of the canvas and to set the whole group of flowers against a dark background. Nowhere can his work be seen to better advantage than at the Dresden Gallery, which contains fifteen of his paintings, twelve of which are signed. Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of Amsterdam,
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