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Marie Adelaide of France as Flora ag
NATTIER, Jean-Marc1.jpg
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Marie_Adelaide_of_France_as_Flora_ag
1742
Oil on canvas, 94,5 x 128,5 cm
Galleria degli Uffizi, Florence
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Marie Adelaide of France as Diana sg
NATTIER, Jean-Marc2.jpg
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Marie_Adelaide_of_France_as_Diana_sg
1745
Oil on canvas, 95 x 128 cm
Galleria degli Uffizi, Florence
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Madame Marsollier and her Daughter sg
NATTIER, Jean-Marc3.jpg
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Madame_Marsollier_and_her_Daughter_sg
1749
Oil on canvas
Metropolitan Museum of Art, New York
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Madame Victoire ag
NATTIER, Jean-Marc4.jpg
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Madame_Victoire_ag
1748
Oil on canvas, 64 x 81 cm
Mus??e de Versailles, Versailles
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Portrait of a Young Woman Painter sg
NATTIER, Jean-Marc5.jpg
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Portrait_of_a_Young_Woman_Painter_sg
Oil on canvas
La Cour d'Or, Mus??es de Metz, Metz
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NATTIER,_Jean-Marc
French Rococo Era Painter, 1685-1766
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).
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