VEEN, Otto van

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 VEEN, Otto van The Last Supper r oil painting artist
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     The Last Supper r
     VEEN, Otto van1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  The_Last_Supper_r
1592 Oil on canvas, 350 x 2247 cm O.-L. Vrouwekathedraal, Antwerp

 VEEN, Otto van Surrounded by His Household (mk05) oil painting artist
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     Surrounded by His Household (mk05)
     new5/VEEN, Otto van-492889.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Surrounded_by_His_Household_(mk05)
1584 Canvas,69 1/4 x 98 1/2''(176 x 250 cm).Acquired in 1835

 VEEN, Otto van Portrait of Nicolaas Rockox oil painting artist
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     Portrait of Nicolaas Rockox
     new18/VEEN, Otto van-247524.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrait_of_Nicolaas_Rockox
Oil on panel, 26,5 x 35 cm

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     VEEN,_Otto_van
    Flemish painter (b. 1556, Leiden, d. 1629, Bruxelles). Flemish painter and draughtsman of Dutch birth. Although born in Holland, he is regarded as an artist of the Catholic southern Netherlands, where he spent most of his active life. He seems to have been acquainted with most of the Netherlandish scholars of his time, and his works testify to his broad humanistic learning. This and his prominent role in the early manifestations of the Counter-Reformation in Antwerp may have led Rubens to choose him as a teacher. Van Veen's importance as an artist has often been compared to the career of his famous pupil, for whom he was certainly the most important exemplar of the pictor doctus or learned painter. Van Veen obviously represents the older generation's more classicizing and conservative response to the Counter-Reformation. For him, the return to the spiritual values of the past also implied a recovery of the pictorial style of the High Renaissance, with its deliberate borrowings from the paintings of such artists as Raphael and Correggio.

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