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the mill of Saint-Nicolas-les-Arraz
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the_mill_of_Saint-Nicolas-les-Arraz
July 1874
2' 1 3/4'' x 2' 8''(65.5 x 81 cn)Bequest of Alfred Chauchard,1909
RF 1802
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A Morning; Dance of the Nymphs(Salon of 1850-1851)
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A_Morning;_Dance_of_the_Nymphs(Salon_of_1850-1851)
3' 2 1/2'' x 4' 3 1/2'' (98 x 131cm)
Deposit from the Louvre.RF73
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A Nymph Playing with Cupid(Salon of 1857)
camille corot8.jpg
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A_Nymph_Playing_with_Cupid(Salon_of_1857)
2' 7'' x 1' 10 1/2''(78.5 x 57 cm)
Bequest of Alfred Chauchard,1909
RF 1782
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View of Genoa (mk09)
new6/camille corot-537442.jpg
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View_of_Genoa_(mk09)
1834
Oil on canvas,29.5 x 39 cm
Chicago(II),The Art Institute of Chicago
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Trouville Fishing Boats Stranded in the Channel (mk40)
new8/camille corot-325822.jpg
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Trouville_Fishing_Boats_Stranded_in_the_Channel_(mk40)
8 1/4'' x 9 1/4''(21 x 23.5 cm)Gift of Max and Rosy Kaganovitch
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camille_corot
Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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