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Nono and Marthe in the Garden with Madame Lebasque
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Nono_and_Marthe_in_the_Garden_with_Madame_Lebasque
oil on panel.
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La Cigarette
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La_Cigarette
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Toile H.0.54
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Musee d'Art et d'Industrie Andre Diligent,,de Roubaix
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Three Girls in a Garden
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Three_Girls_in_a_Garden
oil on canvas, by the French artist Henri Lebasque. Dated 1914. 72.7 cm x 59.7 cm. (28.62 in. x 23.5 in.)
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Madame Lebasque Reading in the Garden
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Madame_Lebasque_Reading_in_the_Garden
oil on canvas, by the French artist Henry Lebasque. 55.4 cm. x 61.3 cm. (21.81 in. x 24.13 in.)
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Lebasque,_Henri
French Painter, 1865-1937
was born in 1865 at Champign (Maine-et-Loire). He started his education at the Ecole des Beaux-Arts d'Angers, and moved to Paris in 1886. Here, Lebasque started studying under Leon Bonnat, and assisted Humbert with the decorative murals at the Pantheon. Around this time, Lebasque met Camille Pissarro and Auguste Renoir, who later would have a large impact on his work. Lebasque's vision was coloured by his contact with younger painters, especially Edouard Vuillard and Pierre Bonnard, founders of the The Nabis' Group and the Intimists who first favoured the calm and quietude of domestic subject matter. From his first acquaintance with Georges Seurat and Paul Signac, Lebasque learnt the significance of a colour theory which stressed the use of complementary colours in shading. Lebasque was a founding member of the Salon d'Automne in 1903 with his friend Henri Matisse. Two years later a group of artists exhibited there including Georges Rouault, Andre Derain, Edouard Vuillard and Henri Matisse while keeping solid links with other artists such as Gustave Rouault, Raoul Dufy, Louis Valtat and especially Henri Manguin, who made him discover the south of France. His time in South of France would lead to a radical transformation in Lebasque's paintings, changing his colour palette forever. Other travels included the Vendee, Normandie and Brittany, although Lebasque would always prefer the small idyllic villages of the South of France. Lebasque had some commercial success during his lifetime. He worked on the decorations at the theatre of the Champs-Elyses and of the Transatlantique sealiner.
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