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Carnival in the Piazza Colonna, Rome
new5/Miel, Jan_5f48eY.jpg
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Carnival_in_the_Piazza_Colonna,_Rome
1645
Oil on canvas
Wadsworth Atheneum, Hartford, CT.
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Roman Carnival
new5/Miel, Jan_KSiNCs.jpg
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Roman_Carnival
1653
Oil on canvas
Museo del Prado, Madrid.
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Carnival Time in Rome
new18/Miel, Jan-827975.jpg
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Carnival_Time_in_Rome
1653
Oil on canvas
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Miel,_Jan
Dutch Baroque Era Painter, ca.1599-1664
Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer
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