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Bear Bull, Chief of the Oglala Sioux
new5/Miller, Alfred Jacob_F5HHCH.jpg
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Bear_Bull,_Chief_of_the_Oglala_Sioux
1837
Watercolor on paper
Walters Art Gallery, Baltimore.
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Antoine Clement, The Great Hunter
new5/Miller, Alfred Jacob_QJnvaS.jpg
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Antoine_Clement,_The_Great_Hunter
1837
Oil on canvas
Walters Art Gallery, Baltimore.
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Encampment on Green River
new5/Miller, Alfred Jacob_Wqr7f5.jpg
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Encampment_on_Green_River
1837
Watercolor on paper
Joslyn Art Museum, Omaha.
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Interior of Fort Laramie
new4/Miller, Alfred Jacob-827296.jpg
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Interior_of_Fort_Laramie
mk77
1858-60
Watercolor
11 5/8x14 1/8in
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Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl
new16/Miller, Alfred Jacob-854262.jpg
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Crossing_one_of_the_Sources_of_the_Colorado_of_the_West,in_the_Mountains_of_the_Windsl
mk162
c.1837
9x7
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Miller,_Alfred_Jacob
American Painter, 1810-1874
American painter. From 1831-2 he studied with the portrait painter Thomas Sully in Philadelphia, PA. In 1832 he went to France, where he studied in Paris at the Ecole des Beaux-Arts. He also visited Rome before returning to Baltimore, to open a portrait studio in 1834. Three years later Miller moved to New Orleans, LA, and was engaged by Captain William Drummond Stewart to accompany an expedition to the Rocky Mountains. The journey brought Miller into close contact with the American Indians, whose hunting and social customs he depicted in 200 watercolour sketches, and with the Far West fur trappers at their annual trading gatherings. He was one of the first artists to leave a detailed visual account of the life of the American mountain men (see WILD WEST AND FRONTIER ART). Miller's Rocky Mountain paintings are among the most romantic images of the American West ever created. His works are often panoramic and dramatic, yet he was equally adept at depicting charming, intimate scenes. His free, vigorous painting style brings to life both the American Indian and the rugged pioneer. Such paintings as the Lost Greenhorn
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