Naldini, Giovanni Battista

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 Naldini, Giovanni Battista Bathsheba Bathing oil painting artist
 Click Image to Enlarge
     Bathsheba Bathing
     new5/Naldini, Giovanni Battista-979246.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Bathsheba_Bathing
Oil on canvas, transferred from panel The Hermitage, St. Petersburg.

 Naldini, Giovanni Battista Bathsheba Bathing oil painting artist
 Click Image to Enlarge
     Bathsheba Bathing
     new3/Naldini, Giovanni Battista-258987.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Bathsheba_Bathing
mk65 Oil on canvas tranferred from panel 71 1/2x59'

 Naldini, Giovanni Battista Lamentation over the Dead Christ oil painting artist
 Click Image to Enlarge
     Lamentation over the Dead Christ
     new25/Naldini, Giovanni Battista-889534.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Lamentation_over_the_Dead_Christ
between 1572(1572) and 1573(1573) Medium Oil on poplar cyf

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     Naldini,_Giovanni_Battista
    Italian, 1537-91 was an Italian painter of a late-Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvas for the Studiolo of Francesco I in the Palazzo Vecchio: the Allegory of Dreams and the Gathering of Ambergris. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of Calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari.

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