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In the Park- The Village of Veules in Normandy
new5/Polenov, Vasily-757523.jpg
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In_the_Park-_The_Village_of_Veules_in_Normandy
1874
Oil on canvas
The Russian Museum, St. Petersburg.
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Overgrown Pond
new5/Polenov, Vasily-475255.jpg
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Overgrown_Pond
1880
Oil on canvas
The Russian Museum, St. Petersburg.
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Moscow Courtyard
new5/Polenov, Vasily-876832.jpg
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Moscow_Courtyard
1902
Oil on canvas
The Russian Museum, St. Petersburg.
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Early Snow
new25/Polenov, Vasily-673869.jpg
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Early_Snow
1891(1891)
Medium Oil on canvas
cyf
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Polenov,_Vasily
Russian, 1844-1927
He began a systematic study of drawing in 1856, first with the landscape painter Pavel Cherkasov (1834-1900), then from 1859 to 1861 with Pavel Chistyakov (1832-1919). He also took lessons with Chistyakov, whom he considered his most important teacher, in 1871 and early 1872, after finishing his academic course. From 1863 to 1871 Polenov studied at the St Petersburg Academy of Art, where he met members of the progressive wing of the Russian artistic intelligentsia, and occasionally in the faculty of law at St Petersburg University. The classical education he received at home, his academic training and lessons with Chistyakov led Polenov towards an 'exalted' history painting, although he personally inclined towards landscape. This dualism remained in Polenov's work for the duration, and not until the late 1880s and early 1890s did he achieve a stable relationship between the two forms. The whole of his student career and the initial postgraduate, scholarship period was largely taken up with historical works: from academic compositions, for example the Resurrection of Jairus's Daughter (1871; Pskov, Mus. Hist., Archit. & A.), for which he received the Grand Gold Medal and a travel bursary (in Germany and Italy, 1872-3, and France, 1873-6), to numerous pictures and sketches on subjects from antiquity and medieval history, executed in France or shortly after his departure from there, under the perceptible influence of Paul Delaroche
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