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A View of Henley-on-Thames (mk25)
new8/John Wootton-563258.jpg
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A_View_of_Henley-on-Thames_(mk25)
c 1742-3
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A View of Park Place (mk25)
new8/John Wootton-359763.jpg
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A_View_of_Park_Place_(mk25)
c 1742-3
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The Siege of Lille (mk25)
new8/John Wootton-968296.jpg
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The_Siege_of_Lille_(mk25)
1742
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George III's Procession to the Houses of Parliament (mk25)
new8/John Wootton-236685.jpg
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George_III's_Procession_to_the_Houses_of_Parliament_(mk25)
attributed to
1762
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Mr John Ward 6th Baron Ward
new3/John Wootton-722556.jpg
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Mr_John_Ward_6th_Baron_Ward
Mp for Newcastle-Under-Lyme,Standing with his Favorite Hunter and a Groom;With Hounds and Huntsmen Unkennell-ing in the Distance
Oil on canvas 40 x 50 in(101.6 x 127 cm) (mk59)
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John_Wootton
1682 - 1764
English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.
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