Philip Hermogenes Calderon

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 Philip Hermogenes Calderon Broken Vows oil painting artist
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     Broken Vows
     new3/Philip Hermogenes Calderon-848734.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Broken_Vows
1856 Oil on canvas 91.4 x 67.9 cm (36 x 26 3/4 in) Tate Gallery London (mk63)

 Philip Hermogenes Calderon Her Most High,Noble and Puissant Grace oil painting artist
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     Her Most High,Noble and Puissant Grace
     new3/Philip Hermogenes Calderon-539522.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Her_Most_High,Noble_and_Puissant_Grace
1865 Oil on canvas 119.4 x 213.4 cm (47 x 84 in)Leeds City Art Gallery (mk63)

 Philip Hermogenes Calderon Words of Love oil painting artist
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     Words of Love
     new26/Philip Hermogenes Calderon-867577.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Words_of_Love
1863(1863) Medium oil on canvas Dimensions 91.5 x 71 cm cyf

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     Philip_Hermogenes_Calderon
    English genre, portraits, domestic and historical scenes Painter, 1833-1898 English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.

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