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Masinissa and Sophonisha
new3/Rutilio Manetti-725935.jpg
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Masinissa_and_Sophonisha
mk65
Oil on cavnas
66 1/8x104 5/16in
Uffizi,
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Rogero and Alcina
new3/Rutilio Manetti-667745.jpg
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Rogero_and_Alcina
mk65
Oil on canvas
70 11/16x80 1/2in
Pitti
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Wedding Feast at Cana
new16/Rutilio Manetti-623547.jpg
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Wedding_Feast_at_Cana
c. 1620
Oil on canvas,
219 x 170 cm
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Die Verspottung Christi
new25/Rutilio Manetti-754686.jpg
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Die_Verspottung_Christi
Oil on canvas
Dimensions 190.8 x 148.3 cm (75.1 x 58.4 in)
cyf
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Virgin and Child with the Young Saint John the Baptist and Saint Catherine of Siena
new25/Rutilio Manetti-557864.jpg
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Virgin_and_Child_with_the_Young_Saint_John_the_Baptist_and_Saint_Catherine_of_Siena
c. 1608-1610
Medium oil on canvas
Dimensions 101 x 75.3 cm (39.8 x 29.6 in)
cjr
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Rutilio_Manetti
Italian Baroque Era Painter ,
1571 - 1639
was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaele Vanni, the son of Francesco. He is known for the following works in Siena or nearby towns: Story of St Catherine and Pope Gregory (1597; Palazzo Pubblico), Baptism of Christ (1600; San Giovannino in Pantaneto); a fresco cycle of the Story of St Roch (1605-1610; San Rocco alla Lupa), Pope Alexander I freed from prison by an Angel from San Giovanni Battista in Sant'Ansano in Greti; a Temptation of Saint Anthony (1620, Sant'Agostino), a Death of Blessed Antonino Patrizi (Monticiano, 1616), a Blessed Domenico dal Pozzo at the table now in Certosa of Florence, a Birth of Virgin (1625, Church of Santa Maria dei Servi), and a painting (1628, Church of San Domenico). He painted a remarkable Allegory of the four seasons and a Parable of the blind men, now in private collections. He also contributed to the Casino Mediceo His style moved from one derived from Barocci to a more Caravaggesque manner after the first decade of the 1600s.
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