Domenico Fetti

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 Domenico Fetti Ecce Homo oil painting artist
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  Ecce_Homo
mk65 Oil on canves 53 9/16x44 1/16in Uffizi
 Domenico Fetti Melancholy oil painting artist
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48x72 120x180 $389 399

 
  Melancholy
mk86 c.1620 Oil on canvas 168x128cm Paris,Musee National du Louvre
 Domenico Fetti Facob-s dream oil painting artist
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Facob-s_dream
mk150 c.1619
 Domenico Fetti Perseus freeing Andromeda oil painting artist
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     Perseus freeing Andromeda
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Perseus_freeing_Andromeda
mk150 c.1622 Poplar 40.5x72.5cm
 Domenico Fetti Melancholy oil painting artist
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     Melancholy
     new16/Domenico Fetti-967255.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Melancholy
mk156 c.1620 Oil on canvas 171x128cm
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     Domenico_Fetti
    Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
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