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Plate of Plums with Jasmine and Nuts
new3/Giovanna Garzoni-542939.jpg
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Plate_of_Plums_with_Jasmine_and_Nuts
mk67
Tempera on parchment
9 1/4x15 3/16in
Pitti,Palatine Gallery
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Chinese Cup with Figs,Cherries and Goldfinch
new3/Giovanna Garzoni-388677.jpg
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Chinese_Cup_with_Figs,Cherries_and_Goldfinch
mk67
Tempera on paenl
10 1/4x14 3/4in
Pitti,Palatine Gallery
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Portrait of Vittorio Amadeo III
new24/Giovanna Garzoni-349849.jpg
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Portrait_of_Vittorio_Amadeo_III
1741(1741)
Medium Oil
cyf
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Bitch
new26/Giovanna Garzoni-934777.jpg
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Bitch
circa 1648(1648)
Medium oil on canvas
cyf
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Giovanna_Garzoni
Italian Baroque Era Painter, 1600-1670
was an Italian painter of the Baroque era. She was unusual for Italian artists of the time for two reasons: first, in that her themes were mainly decorative and luscious still-lifes of fruits, vegetables, and flowers, and second, because she was a woman. Her training was with an otherwise unknown painter from her native town of Ascoli Piceno. She gained substantial success at her trade in Rome, Venice, Florence (1642-1651), Naples, and Turin. She was patronized by Cassiano dal Pozzo and the wife of Taddeo Barberini, Anna Colonna. In Turin she painted for Carlo Emanuele II, Duke of Savoy. She returns to Rome in the 1650s. In 1666, Garzoni bequeathed her entire estate to the Roman painters' guild the Accademia di San Luca, on condition that they build her tomb in their church of Santi Luca e Martina. Her tomb monument by Mattia De Rossi is to the right of the entrance. Laura Bernasconi was also a woman painter of still-life flowers in Rome in the 1670s. In Rome, she would have been a contemporary of Caterina Ginnasi. It is likely that in Naples she was exposed to the still-lifes of Giovan Battista Ruoppolo and his contemporaries.
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