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Portrait of Peasant Woman in Russian Costume
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Portrait_of_Peasant_Woman_in_Russian_Costume
mk68
Oil on canvas
Moscow,Tretyakov State Gallery
1784
Russia
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Portrait of an Unknown Woman in Russian Costume
new24/Ivan Argunov-476539.jpg
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Portrait_of_an_Unknown_Woman_in_Russian_Costume
Date 1784(1784)
Medium Oil on canvas
Dimensions 67 ?? 53.6 cm (26.4 ?? 21.1 in)
cyf
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Portrait of Catherine II of Russia
new24/Ivan Argunov-467373.jpg
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Portrait_of_Catherine_II_of_Russia
1762(1762)
Medium Oil on canvas
Dimensions 245 ?? 176 cm (96.5 ?? 69.3 in)
cyf
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Portrait of an Unknown Woman in Russian Costume
new24/Ivan Argunov-995575.jpg
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Portrait_of_an_Unknown_Woman_in_Russian_Costume
1784(1784)
Medium Oil on canvas
Dimensions 67 x 53.6 cm (26.4 x 21.1 in)
cyf
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Portrait of Countess Tolstaya
new24/Ivan Argunov-697848.jpg
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Portrait_of_Countess_Tolstaya
1768(1768)
Medium Oil on canvas
Dimensions 96.5 x 78.5 cm (38 x 30.9 in)
cyf
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Ivan_Argunov
Russian Rococo Era Painter , 1727/1729-1802
Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
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