|
|
 |
| Click Image to Enlarge |
Joseph Interpreting Pharaoh-s Dream
new16/CORNELIUS, Peter-639266.jpg
|
|
|
|
|
Joseph_Interpreting_Pharaoh-s_Dream
1816-17
Fresco with tempera,
236 x 290 cm
|
|
 |
| Click Image to Enlarge |
The Recognition of Joseph by his Brothers
new19/CORNELIUS, Peter-849887.jpg
|
|
|
|
|
The_Recognition_of_Joseph_by_his_Brothers
1816-17 Fresco with tempera, 236 x 290 cm
|
|
 |
| Click Image to Enlarge |
The Last Judgment
new19/CORNELIUS, Peter-397596.jpg
|
|
|
|
|
The_Last_Judgment
1836-39 Fresco Ludwigskirche, Munich In Munich in 1836
|
|
 |
| Click Image to Enlarge |
The Vision of the Rabenstein
new21/CORNELIUS, Peter-487478.jpg
|
|
|
|
|
The_Vision_of_the_Rabenstein
1811 Pen drawing with gray ink on thin vellum, 393 x 516 mm St?delsches Kunstinstitut, Frankfurt This drawing is part of illustrations by Cornelius to Goethe's Faust. The vividly executed pen and ink drawing shows Cornelius's technique, which was taken from that of copperplate engravings. Author: CORNELIUS, Peter Title: The Vision of the Rabenstein Form: graphics , 1801-1850 , German , other
|
|
 |
| Click Image to Enlarge |
The Riders of the Apocalypse
new21/CORNELIUS, Peter-267236.jpg
|
|
|
|
|
The_Riders_of_the_Apocalypse
1845 Drawing, 472 x 588 cm Staatliche Museen, Berlin This drawing is a study to a monumental fresco. Author: CORNELIUS, Peter Title: The Riders of the Apocalypse Form: graphics , 1801-1850 , German , religious
|
|
|
| Prev Artist Next Artist
|
|
CORNELIUS,_Peter
1824-1874,German composer. Trained as actor and violinist, and friend of artists, poets and writers, he devoted himself to music from the 1840s, finding inspiration in Liszt and the New German School at Weimar in 1852. His first mature works were the lieder opp. 1 and 2 and the song cycle Trauer und Trost op.3, followed by the comic opera Der Barbier von Bagdad (1855-8); all show his literary skill, refreshing simplicity and musical independence from the Liszt circle. In Vienna (1859-65), he wrote his second opera Der Cid and enjoyed fruitful relationships with Brahms, Carl Tausig and above all Wagner, who summoned him to Munich in 1865 as his private repetiteur and teacher at the Royal School of Music. His third opera Gunlöd was never finished. He continued to write poetry and essays defending Wagner and Liszt and translated vocal works by Pergolesi, Berlioz, Liszt and others. Although he revered Wagner, he stood ethically and artistically apart, his work (especially Der Barbier) thus representing an original achievement.
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting |
|
