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Child's Profile and Study for a Still Life
Louis Anquetin_aSnbCk.jpg
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Child's_Profile_and_Study_for_a_Still_Life
1' 11 1/4'' x 1' 4 1/4'' (59 x 41 cm)Gift of Paul Adry ,1936
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On target of the horse race
new17/Louis Anquetin-937243.jpg
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On_target_of_the_horse_race
mk178
around 1898-1899 watercolor on wood 26x53cm
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Avene de Clicky-five o-clock in the Evening
new19/Louis Anquetin-564337.jpg
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Avene_de_Clicky-five_o-clock_in_the_Evening
mk235
1887
Oil on canvas
69x53.5cm
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Girl Reading a Newsapaper
new19/Louis Anquetin-658295.jpg
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Girl_Reading_a_Newsapaper
mk235
1890
Oil on canvas
54x43.5cm
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In the Theatre Foyer
new19/Louis Anquetin-775583.jpg
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In_the_Theatre_Foyer
mk235
1892
Oil on canvas
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Louis_Anquetin
1861-1932,French painter. He came to Paris in 1882 and studied art at the Ateliers of Bonnat and Cormon, where he was a contemporary and friend of Henri de Toulouse-Lautrec, Emile Bernard and Vincent van Gogh. His early work shows the influence of Impressionism and of Edgar Degas. In 1887 Anquetin and Bernard devised an innovative method of painting using strong black contour lines and flat areas of colour; Anquetin aroused much comment when he showed his new paintings, including the striking Avenue de Clichy: Five O'Clock in the Evening (1887; Hartford, CT, Wadsworth Atheneum) at the exhibition of Les XX in Brussels and at the Salon des Independants in Paris in 1888. The new style, dubbed Cloisonnisme by the critic Edouard Dujardin (1861-1949), resulted from a study of stained glass, Japanese prints and other so-called 'primitive' sources; it was close to the Synthetist experiments of Paul Gauguin and was adopted briefly by van Gogh during his Arles period. Anquetin's works were shown alongside Gauguin's and Bernard's at the Caf? Volpini exhibition in 1889,
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