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senta leaps toher death an art nouveau illustration of the final scene of the flying futchman
new21/eduard hanslick-945737.jpg
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senta_leaps_toher_death_an_art_nouveau_illustration_of_the_final_scene_of_the_flying_futchman
mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman.
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daughter of franz liszt
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daughter_of_franz_liszt
mk270 a domestic vision of wagner at home wih his second wife cosima, daughter of franz liszt.
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a romantic impression of wagner compoing his epic saga der ring des nibelungen
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a_romantic_impression_of_wagner_compoing_his_epic_saga_der_ring_des_nibelungen
mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874
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designed by thomas edwin mostyn
new21/eduard hanslick-775426.jpg
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designed_by_thomas_edwin_mostyn
mk270 a 1914 stage set for in parsifal, designed by thomas edwin mostyn
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brunnhilde
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brunnhilde
mk270 brunnhilde, from arthur rackham s 1910 watercolour illustrations to the rhinegold and the valkyrie.
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eduard_hanslick
German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time.
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