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Coastal Landscape with Balaam and the Ass
new24/Bartholomeus Breenbergh-693834.jpg
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Coastal_Landscape_with_Balaam_and_the_Ass
Date 1634(1634)
Medium Oil on canvas
Dimensions 40 x 74.5 cm
cjr
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Jesus guerissant un sourd-muet Jesus healing a deaf-mute
new25/Bartholomeus Breenbergh-369588.jpg
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Jesus_guerissant_un_sourd-muet_Jesus_healing_a_deaf-mute
Oil on wood, 122 cm x 90 cm,
Date 1635(1635)
cjr
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Jesus guerissant un sourd-muet
new25/Bartholomeus Breenbergh-875973.jpg
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Jesus_guerissant_un_sourd-muet
Oil on wood, 122 cm x 90 cm,
Date 1635(1635)
cyf
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Bartholomeus_Breenbergh
(before 13 November 1598 - after 3 October 1657) was a Dutch painter born in Deventer.
Breenbergh established himself in Amsterdam and then in 1619 went to Rome. There he lived and worked with the Flemish painter Frans van de Kasteele and was heavily influenced by another Fleming, the landscape painter Paul Bril. From 1623, however, he came completely under the spell of Italian landscapes by the somewhat older Cornelis van Poelenburgheindeed, the works of Breenbergh and van Poelenburgh are sometimes very difficult of tell apart. Breenbergh in his turn influenced the French painter Claude Lorrain. Breenbergh was one of the founders of the Bentvueghels, where he was nicknamed "het fret".
In 1633 Breenbergh returned to Amsterdam, where he remained until his death, and where he made paintings and etchings of Italian buildings. There he was influenced by the pre-Rembrandtists such as Pieter Lastman and Nicolaes Moeyaert, but he placed their Biblical and mythological scenes in Italian landscapes.
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