Carlo Crivelli

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 Carlo Crivelli Annunciation with Saint Emidius oil painting artist
 Click Image to Enlarge
     Annunciation with Saint Emidius
     Carlo Crivelli1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Annunciation_with_Saint_Emidius
1486 National Gallery, London

 Carlo Crivelli Lamentation over the Dead Christ oil painting artist
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     Lamentation over the Dead Christ
     Carlo Crivelli2.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Lamentation_over_the_Dead_Christ
1485 Museum of Fine Arts, Boston

 Carlo Crivelli Madonna and Child Enthroned with a Donor oil painting artist
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     Madonna and Child Enthroned with a Donor
     Carlo Crivelli3.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Madonna_and_Child_Enthroned_with_a_Donor
1470 National Gallery of Art, Washington DC

 Carlo Crivelli St.James of Marche with Two Kneeling Donors oil painting artist
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     St.James of Marche with Two Kneeling Donors
     Carlo Crivelli4.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  St.James_of_Marche_with_Two_Kneeling_Donors
Musee du Louvre, Paris

 Carlo Crivelli St.Roch oil painting artist
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     St.Roch
     Carlo Crivelli5.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  St.Roch


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     Carlo_Crivelli
    1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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