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Dam Square, Amsterdam
BERCKHEYDE, Gerrit Adriaensz.1.jpg
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Dam_Square,_Amsterdam
Oil on oak, 41 x 55,5 cm
Gemäldegalerie, Dresden
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The Interior of the Grote Kerk (St Bavo) at Haarlem
BERCKHEYDE, Gerrit Adriaensz.2.jpg
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The_Interior_of_the_Grote_Kerk_(St_Bavo)_at_Haarlem
1673
Oil on wood, 61 x 85 cm
National Gallery, London
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The Market Square at Haarlem with the St Bavo
BERCKHEYDE, Gerrit Adriaensz.3.jpg
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The_Market_Square_at_Haarlem_with_the_St_Bavo
1696
Oil on canvas
Frans Halsmuseum, Haarlem
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Amsterdam, the Nieuwezijds near the Bloemmarkt
BERCKHEYDE, Gerrit Adriaensz.4.jpg
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Amsterdam,_the_Nieuwezijds_near_the_Bloemmarkt
1670-75
Oil on canvas, 45 x 61 cm
Historisch Museum, Amsterdam
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Amsterdam, the Nieuwezijds near the Bloemmarkt ffd
BERCKHEYDE, Gerrit Adriaensz.5.jpg
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Amsterdam,_the_Nieuwezijds_near_the_Bloemmarkt_ffd
Graphite, partially strengthened with pen and ink
Koninklijk Oudheidkundig Genootschap, Amsterdam
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BERCKHEYDE,_Gerrit_Adriaensz.
Dutch Baroque Era Painter, 1638-1698
Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
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