Portrait of Gabrielle de Roche-chouart Portrait of Gabrielle de Roche-chouart vbd
CORNEILLE DE LYON2.jpg
INCHES
CM
High Quality
Museum Quality
16x20
40x50
$65
$69
20x24
50x60
$85
$89
24x36
60x90
$129
$139
30x40
75x100
$139
$149
36x48
90x120
$209
$209
48x72
120x180
$389
399
Portrait_of_Gabrielle_de_Roche-chouart_Portrait_of_Gabrielle_de_Roche-chouart_vbd c. 1574
Oil on wood, 16,5 x 14 cm
Mus??e Cond??, Chantilly
Portrait of Gabrielle de Rochechouart Portrait of Gabrielle de Rochechouart vbd
Charles de La Rochefoucauld Count of Randan (mk05)
new6/CORNEILLE DE LYON-458839.jpg
INCHES
CM
High Quality
Museum Quality
16x20
40x50
$65
$69
20x24
50x60
$85
$89
24x36
60x90
$129
$139
30x40
75x100
$139
$149
36x48
90x120
$209
$209
48x72
120x180
$389
399
Charles_de_La_Rochefoucauld_Count_of_Randan_(mk05) Wood 6 1/4 x 5 1/2''(16 x 14 cm)Collection of Roger de Gaignieres;given in 1961 by Mme Claudius Cote R.F 1961-10 (MN)
CORNEILLE_DE_LYON Dutch-born French Northern Renaissance Painter, 1500-1575
Dutch painter, active in France. It is uncertain whether he was apprenticed in his native city of The Hague or in Antwerp, and nothing is known of him before 1533, when he was recorded in Lyon. It was possibly in the same year, while the French court was resident in Lyon, that Corneille was made painter to Queen Eleanor, the second wife of Francis I. In 1541 Corneille was painter to the Dauphin (later Henry II), and when the new king succeeded to the throne (1547) and made his state entry into Lyon in 1548, Corneille became Peintre du Roi. Corneille had obtained his naturalization papers in December 1547 and retained French nationality for the rest of his life. He married Marguerite Fradin, the daughter of a Lyon printer of some importance, and this allowed him to enter Lyon society. His studio was extremely prosperous until c. 1565, the year he is known to have visited Antwerp, but disappeared completely after his death despite the fact that he founded a dynasty of painters. His sons Corneille de La Haye II (b 1543) and Jacques de La Haye and his daughter Cl?mence de La Haye were all painters, and the family continued to be known for its artists until the 18th century. Corneille de Lyon was a Protestant, like all those in the circles in which he moved, and it may be that the decline of his fortunes in the 1560s
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