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Portrait of Sybilla von Freyberg (born Gossenbrot) er
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Portrait_of_Sybilla_von_Freyberg_(born_Gossenbrot)_er
Wood, 61 x 35,8 cm
Alte Pinakothek, Munich
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Holy Family et
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Holy_Family_et
c. 1505
Panel
Germanisches Nationalmuseum, Nuremberg
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Portrait of Conrad Rehlinger and his Children ar
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Portrait_of_Conrad_Rehlinger_and_his_Children_ar
1517
Wood, 209 x 101 cm and 209 x 98 cm
Alte Pinakothek, Munich
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St Ladislas Presents Wladislav II and his Sons to the Virgin r
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St_Ladislas_Presents_Wladislav_II_and_his_Sons_to_the_Virgin_r
1511-12
Wood, 43 x 30,8 cm
Museum of Fine Arts, Budapest
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St Ladislas Presents Wladislav II and his Sons to the Virgin (detail) wr
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St_Ladislas_Presents_Wladislav_II_and_his_Sons_to_the_Virgin_(detail)__wr
1511-12
Wood, 43 x 30,8 cm (full panel)
Museum of Fine Arts, Budapest
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STRIGEL,_Bernhard
German Northern Renaissance Painter, ca.1460-1528..Painter, son or nephew of Hans Strigel II. His training with Hans Striegel II shows stylistically in his early works in the Grisons, e.g. the Last Judgement (1486; Brigels, pilgrimage chapel of St Eusebius) and an altarpiece at Disentis (1489; St Johann Baptist). In the 1480s and 1490s he also worked in the studio of Ivo Strigel. Motifs in his pictures stem from engravings by Martin Schongauer and from Ulm book woodcuts. He met Bartholomus Zeitblom as a fellow worker on the high altar (1493-4) of Blaubeuren Abbey, both being influenced by Netherlandish art: Zeitblom by Rogier van der Weyden but Strigel primarily by Dieric Bouts. This influence is also seen in his Adoration of the Magi altarpiece (c. 1500; Memmingen, Stedtmus.). The altar of the Virgin for the monastery at Salem (1507-8; Salem, Schloss) has links with D?rer's graphic work: an increasing three-dimensionality and monumentalization of the objects and figures, and their disposition in space.
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