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The Mother of Sisera Looked out a Window
new5/Moore, Albert Joseph_VSBS2c.jpg
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The_Mother_of_Sisera_Looked_out_a_Window
1861
Oil on canvas
Tullie House Museum and Art Gallery, Carlisle.
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Dancing Girl Resting
new5/Moore, Albert Joseph_3GKhEj.jpg
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Dancing_Girl_Resting
1863-64
Oil on canvas
Private collection.
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Pomegranites
new5/Moore, Albert Joseph_5WXjVr.jpg
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Pomegranites
1865-66
Oil on canvas
Guildhall Art Gallery, London.
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A Musician
new5/Moore, Albert Joseph_PzMLzi.jpg
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A_Musician
1865-66
Oil on canvas
Yale Center for British Art, New Haven, CT.
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Lilies
new5/Moore, Albert Joseph_Pttdk9.jpg
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Lilies
1866
Oil on canvas
Sterling & Francine Clark Art Institute, Williamstown, MA.
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Moore,_Albert_Joseph
English Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
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