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The Last Mail Leaving Newcastle, July 5, 1847
new5/Pollard, James-557932.jpg
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The_Last_Mail_Leaving_Newcastle,_July_5,_1847
Oil on panel.
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Hatchetts- The White Horse Cellar, Piccadilly
new5/Pollard, James-679443.jpg
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Hatchetts-_The_White_Horse_Cellar,_Piccadilly
Oil on canvas.
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Springing Them up to meet the Train and Just in time for the Coach to Hull
new3/Pollard, James-262259.jpg
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Springing_Them_up_to_meet_the_Train_and_Just_in_time_for_the_Coach_to_Hull
both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
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A Meet Outside The Swan inn
new3/Pollard, James-373293.jpg
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A_Meet_Outside_The_Swan_inn
signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
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The Royal Mail Coaches for the North Ieaving the Angel Islington
new3/Pollard, James-487729.jpg
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The_Royal_Mail_Coaches_for_the_North_Ieaving_the_Angel_Islington
1827
Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
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Pollard,_James
English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.
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