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A Sow and Her Piglets
new3/George Morland-753928.jpg
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A_Sow_and_Her_Piglets
signed with initials
Oil on panel 12 by 15 in 30.5 by 38.1 cm (mk59)
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A Sow and Her Piglets in a Farmyard
new3/George Morland-675869.jpg
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A_Sow_and_Her_Piglets_in_a_Farmyard
signed and dated 1795-Oil on canvas 17 1/4 x 21 3/4 in (43.8 x 55.3 cm) (mk59)
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The Approaching Storm
new16/George Morland-937574.jpg
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The_Approaching_Storm
mk159
1791
Oil on canvas
85x117cm
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The inside of a stable
new24/George Morland-434376.jpg
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The_inside_of_a_stable
Date 1791
cyf
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George Morland at an easel
new26/George Morland-348435.jpg
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George_Morland_at_an_easel
oil on canvas
76.2 x 63.5 cm
circa 1780
cjr
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George_Morland
English genre, animal, and landscape painter, 1763-1804
was an English painter of animals and rustic scenes. Morland was born in London on 26 June 1763. His mother was a Frenchwoman, who possessed a small independent property of her own. His grandfather, George H. Morland, was a subject painter. Henry Robert Morland (c. 1719 ?C 1797), father of George, was also an artist and engraver, and picture restorer, at one time a rich man, but later in reduced circumstances. His pictures of Jaundry-maids, reproduced in mezzotint and representing ladies of some importance, were very popular in their time. At a very early age Morland produced sketches of remarkable promise, exhibiting some at the Royal Academy in 1773, when he was but ten years old, and continuing to exhibit at the Free Society of Artists in 1775 and 1776, and at the Society of Artists in 1777, and then sending again to the Royal Academy in 1778, 1779 and 1780. His very earliest work, however, was produced even before that tender age, as his father kept a drawing which the boy had executed when he was but four years old, representing a coach and horses and two footmen. He was a student at the Royal Academy in early youth, but only for a very short time. From the age of fourteen he was apprenticed to his father for seven years, and by means of his talent appears to have kept the family together. He had opportunities at this time of seeing some of the greatest artists of the day, and works by old masters, but even then a strange repugnance for educated society showed itself, and no persuasion
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