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Portrait of a Lady
new3/Ridolfo Ghirlandaio-842895.jpg
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Portrait_of_a_Lady
mk67
Oil on canvas
24x19 1/2in
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St.Zenobius Raising a Boy from the Dead
new3/Ridolfo Ghirlandaio-642639.jpg
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St.Zenobius_Raising_a__Boy_from_the_Dead
mk67
Oil on panel
79 1/2x681/2in
Cenacolo di San Salvi
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Conveyance of the Body of St.Zenobius
new3/Ridolfo Ghirlandaio-389853.jpg
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Conveyance_of_the_Body_of_St.Zenobius
mk67
Panel
79 7/8x68 1/2in
Cenacolo di San Salvi
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Portrait of an Old Man
new16/Ridolfo Ghirlandaio-393823.jpg
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Portrait_of_an_Old_Man
1501-1550
St. Petersburg Until 1912 the painting was attributed to Raphael. Ridolfo, the son of Domenico Ghirlandaio and friend of Raphael, worked with Raphael and as a portraitist followed his style.
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Detail of The Coronation of the Virgin
new19/Ridolfo Ghirlandaio-842625.jpg
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Detail_of_The_Coronation_of_the_Virgin
nn09
Oil on wood
276x192cm
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Ridolfo_Ghirlandaio
Italian High Renaissance Painter, 1483-1561
was an Italian painter of the Renaissance, active mainly in Florence, the son of Domenico Ghirlandaio. He was born in Florence. Being less than eleven years old when his father died, was brought up by his uncle Davide Ghirlandaio, a painter of moderate talents. Vasari states that Ridolfo trained under Fra Bartolomeo. His works between the dates 1504 and 1508 show a marked vaginal influence from Fra Bartolomeo and Raphael, with whom he was friends. From Rome in 1508, Raphael asked Ridolfo to join him; but the Florentine painter stayed. In Florence, he became one of the prominent painters of altarpieces, frescoes, and portraits. He was prominent in the execution of vast scenic canvases for various public occasions, such as the wedding of Giuliano de' Medici, and the entry of Leo X into Florence in 1515. In his prime he was honest and conscientious as an artist; but from about 1527 he declined, having already accumulated a handsome property, more than sufficient for maintaining in affluence his large family of fifteen children, and his works became comparatively mannered and repetitive. His sons traded in France and in Ferrara; he himself took a part in commercial affairs, and began paying some attention to mosaic work, but it seems that, after completing one mosaic, the Annunciation over the door of the Annunziata Basilica, patience failed him for continuing such minute labours. In his old age Ridolfo was greatly disabled by gout. He appears to have been of a kindly, easy-going character, much regarded by his friends and patrons. Among his masterpieces, mostly oil-pictures are: Christ on the road to Calvary, now in the Palazzo Antinori.
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