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Plowing in the Nivernais;the dressing of the vines
Rosa bonheur1.jpg
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Plowing_in_the_Nivernais;the_dressing_of_the_vines
1849(Salon of 1849)
4' 4 3/4'' x 8' 6 1/4''(134 x 260cm)
RF 64
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Ploughing in the Nivenais
new16/Rosa Bonheur-555964.jpg
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Ploughing_in_the_Nivenais
mk156
1848-49
Oil on canvas
134x260cm
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Colonel William F.Cody
new16/Rosa Bonheur-372879.jpg
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Colonel_William_F.Cody
mk162
1889
Oil on canvas
18x15
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The horse market
new17/Rosa Bonheur-585675.jpg
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The_horse_market
mk178
1853
Olauf linens
244.5x506.7cm
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the horse fair
new20/Rosa Bonheur-276733.jpg
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the_horse_fair
mk247
1853 to 55,oil on canvas,96x200 in,245x507 cm,metropolitan museum of art, new york,ny,usa
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Rosa_Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
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