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Trappgata in Montigny - sour Loing
new18/Carl Fredrik Hill-289774.jpg
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Trappgata_in_Montigny_-_sour_Loing
mk187
1876
Oil slick pa screen
65x77cm
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Am threading and flodkroken III
new18/Carl Fredrik Hill-768993.jpg
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Am_threading_and_flodkroken_III
mk187
1877
Oil slick pa screen
50x60cm
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Customer pa mine
new18/Carl Fredrik Hill-486254.jpg
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Customer_pa_mine
mk187
Artal Be wanting Oil slick pa screen 57.5x76cm
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Sister Annals
new18/Carl Fredrik Hill-945474.jpg
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Sister_Annals
mk187
Arthritis be wanting Oil slick pa screen 103x65cm
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Strandbild,Luc - sour - More
new18/Carl Fredrik Hill-838849.jpg
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Strandbild,Luc_-_sour_-_More
mk187
1876
Oil slick pa screen
54x65cm
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Carl_Fredrik_Hill
Swedish Painter, 1849-1911,Swedish painter and draughtsman. He grew up in the university city of Lund, where his father was a mathematics professor. Despite severe opposition from his father, he studied landscape painting at the Konstakademi in Stockholm (1871-2), under Johan Edvard Bergh and Per Daniel Holm (1835-1903). He also frequently copied Dutch Old Masters, particularly Jacob van Ruisdael. After seeing the work that Alfred Wahlberg had sent home from Paris, Hill began to abandon his initial approach to form and colour, and he left for Paris in November 1873. His most important experience there was his encounter with the painting of Jean-Baptiste-Camille Corot: 'Corot has discovered a new world, because he has discovered a new way of looking at the old', he wrote in a letter. Other contemporary French painters Hill admired were Alexandre-Gabriel Decamps, Charles-Fran?ois Daubigny, Jean-Franeois Millet and Theodore Rousseau. From Courbet he learnt how to use colour to suggest the surface texture of stone quarries and gravel hills. In Barbizon in 1874 and 1875 Hill met the Hungarian painters Laszlo Pael and Mihaly von Muncacsy. His paintings of this time, for example Autumn Landscape, Evening: Fontainebleau (1875; Malm?, Kstmus.), are characterized by their dark 'luminarism' and their debt to Corot's later works.
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