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Allegory of the Alba
new23/Franz Anton Maulbertsch-599573.jpg
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Allegory_of_the_Alba
c. 1750
Oil on canvas
67 x 53 cm
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Der Apostel Philippus tauft einen Eunuchen
new23/Franz Anton Maulbertsch-865899.jpg
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Der_Apostel_Philippus_tauft_einen_Eunuchen
c. 1750
50,5 X 34,5 cm
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Der Quacksalber
new23/Franz Anton Maulbertsch-864685.jpg
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Der_Quacksalber
Franz Anton Maulbertsch: Der Quacksalber (The quack), before 1785
Oil on wood, 53 x 56 cm
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Apotheosis of a Hungarian Saint
new23/Franz Anton Maulbertsch-668696.jpg
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Apotheosis_of_a_Hungarian_Saint
1773
Oil on canvas
73 x 46 cm
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Allegory of the Alba
new23/Franz Anton Maulbertsch-688966.jpg
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Allegory_of_the_Alba
Medium Oil on canvas
Dimensions 67 x 53 cm
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Franz_Anton_Maulbertsch
(June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region.
Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750.
An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn.
He also painted a portrait of Narcissus of Jerusalem
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