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Gemaldezyklus zum Leben Papst Paul III., Szene: Papst Paul III. beseelt vom Glauben an das okumenische Konzil.
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Gemaldezyklus_zum_Leben_Papst_Paul_III.,_Szene:_Papst_Paul_III._beseelt_vom_Glauben_an_das_okumenische_Konzil.
1687-1688
Oil on canvas
120 x 180 cm
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Hl. Helena findet das Heilige Kreuz, Entwurf
new24/Sebastiano Ricci-648774.jpg
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Hl._Helena_findet_das_Heilige_Kreuz,_Entwurf
1732 - 1734
Oil on canvas
84 X 35 cm
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Esther vor dem persischen Konig Ahasver
new24/Sebastiano Ricci-569369.jpg
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Esther_vor_dem_persischen_Konig_Ahasver
1733-1734
Oil on canvas
47 X 33 cm
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Furbitte Papst Gregor des Groben bei Maria
new24/Sebastiano Ricci-785599.jpg
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Furbitte_Papst_Gregor_des_Groben__bei_Maria
1700
Oil on canvas
358 X 188 cm
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Entwurf
new24/Sebastiano Ricci-897444.jpg
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Entwurf
Date 1732 - 1734
Medium Oil on canvas
Dimensions Deutsch: 84 ?? 35 cm
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Sebastiano_Ricci
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.
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