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The Love of Acis and Galatea
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The_Love_of_Acis_and_Galatea
mk221
1827
Oil on canvas
146x113.7cm
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Eleopatra Trying Out the Poison on Prisoners Sentenced to Death
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Eleopatra_Trying_Out_the_Poison_on_Prisoners_Sentenced_to_Death
mk221
1887
Oil on canvas
87.6x148cm
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The Birth of Venus
new19/Alexandre Cabanel-293523.jpg
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The_Birth_of_Venus
mk235
1863
Oil oncanvas
130x225cm
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Ophelia
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Ophelia
Date 1883(1883)
Medium Oil on canvas
Dimensions 77 X 117.5 cm (30.31 X 46.26 in)
cyf
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Albayde
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Albayde
Date 1848(1848)
Medium Oil on canvas
Dimensions 98 X 80 cm (38.58 X 31.5 in)
cyf
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Alexandre__Cabanel
1823-1889
French Alexandre Cabanel Locations
French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.
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