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Portrait of the Artist-s Son as a Drummer
new16/Martin Drolling-686498.jpg
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Portrait_of_the_Artist-s_Son_as_a_Drummer
Oil on canvas,
120 x 76 cm
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Portrait of the Artist-s Son as a Drummer
new19/Martin Drolling-948336.jpg
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Portrait_of_the_Artist-s_Son_as_a_Drummer
Oil on canvas, 120 x 76 cm
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The Messenger or The Good New
new19/Martin Drolling-445778.jpg
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The_Messenger_or_The_Good_New
1806 Oil on canvas
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Portrait of the Artist's Son as a Drummer
new21/Martin Drolling-378784.jpg
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Portrait_of_the_Artist's_Son_as_a_Drummer
120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter
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Portrait of the Artists Son as a Drummer
new24/Martin Drolling-784789.jpg
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Portrait_of_the_Artists_Son_as_a_Drummer
2nd half of 18th century
Medium Oil on canvas
Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in).
cyf
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Martin__Drolling
1752-1817
B.Oberbergheim
French Martin Drolling Art Gallery
After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.
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