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The Holy Family at the Palm-tree g
new1/PUGET, Pierre6.jpg
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The_Holy_Family_at_the_Palm-tree_g
1662-63
Oil on canvas, 210 x 140 cm
Private collection, Aix-en-Provence
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Self-portrait ag
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Self-portrait_ag
1668-69
Oil on canvas, 47 x 38 cm
Mus??e Granet, Aix-en-Provence
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Self-portrait in Old Age af
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Self-portrait_in_Old_Age_af
1690-92
Oil on canvas, 75 x 61 cm
Mus??e du Louvre, Paris
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Virgin Giving the Scapular to St Simon Stock sg
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Virgin_Giving_the_Scapular_to_St_Simon_Stock_sg
Oil on canvas, 78,5 x 53,5 cm
Mus??e des Beaux-Arts, Marseille
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The Education of Achilles by Chiron ar
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The_Education_of_Achilles_by_Chiron_ar
c. 1690
Oil on canvas
Mus??e des Beaux-Arts, Marseille
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PUGET,_Pierre
French Baroque Era Sculptor, 1620-1694
French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,
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