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The Grand Canyon of the Yellowstone
new5/Moran, Thomas_HxqdRS.jpg
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The_Grand_Canyon_of_the_Yellowstone
1872
Oil on canvas.
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Cliffs, Green River, Wyoming
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Cliffs,_Green_River,_Wyoming
1872
Watercolor on canvas
Museum of Fine Arts, Boston.
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Cliffs of the Rio Virgin, South Utah
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Cliffs_of_the_Rio_Virgin,_South_Utah
1873
Watercolor
National Design Museum, New York.
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Green River Cliffs, Wyoming.
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Green_River_Cliffs,_Wyoming.
1881
Oil on canvas
Private collection.
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Pass at Glencoe, Scotland
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Pass_at_Glencoe,_Scotland
1882
Gilcrease Museum, Tulsa, OK.
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Moran,_Thomas
American Hudson River School Painter, 1837-1926
American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings
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