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Donkey Riding on the Beach
new24/Isaac Israels-474334.jpg
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Donkey_Riding_on_the_Beach
Year: c. 1898-1900
Characteristics: oil on canvas, 51 x 70 cm
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Woman before
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Woman_before
Date 1917(1917)
Medium Oil on canvas
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Young woman
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Young_woman
1895 - 1900
Medium oil on cardboard
Dimensions 61.2 X 45 cm (24.1 X 17.7 in)
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Bois de Boulogne
new26/Isaac Israels-363439.jpg
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Bois_de_Boulogne
Date Unknown
Medium oil on canvas
Dimensions 39.9 x 65 cm
TTD
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Woman before
new26/Isaac Israels-543749.jpg
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Woman_before
Date 1917(1917)
Medium oil on canvas
TTD
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Isaac_Israels
Dutch, 1865-1934
Son of Jozef Israëls. He was largely self-taught, showing precocious talent and attending the Academie in The Hague in 1878-80. His first paintings date from 1880-84 and include a self-portrait, portraits of women and military subjects such as Bugle Practice. They were composed in the studio in a precise style, soft grey and brown tones predominating, showing the influence of the Hague school. In 1887 Israels moved to Amsterdam, where he was at the centre of the Tachtigers of writers and painters. Among his friends were George Hendrik Breitner, Lodewijk van Dyssel, Frans Erens, Max Liebermann, Jan Pieter Veth and Jan Voerman. In Amsterdam, after a brief and abortive period at the Rijksacademie, he sought a more fluent technique with which to record contemporary life. His drawings and watercolours are predominantly of cafes, cabarets, dance halls and the street life of Amsterdam. In 1889 he visited Paris, where he met St phane Mallarm, Berthe Morisot, Odilon Redon and Emile Zola. In 1894 he painted Three Servant Girls, the first of his plein-air pictures. From then on he applied transparent colours to capture the fleeting effects of light in oil, watercolour and pastel. His oils were painted in flat broad strokes. For the rest of his life he employed his very personal Impressionist style, which emphasized the interplay of light, colour, line and movement. His favourite subjects were beach, street and park scenes
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